A practical and theoretical treatise on the artisanal craft of pencil sharpening. The number one #2 pencil sharpener in the world, David Rees takes viewers through the delicate process of sharpening a pencil by hand.
a film by KENNETH PRICE
written by DAVID REES
camera operator DAVID HAMBRIDGE
sound mixer JUSTIN DRUST
composer FRANCIS DYER
2013 Austin Film Festival
2013 SF Docfest
2013 Sidewalk Film Festival (Winner: Best Documentary Short)
2013 Indie Memphis Film Festival (Winner: Special Jury Prize)
2013 Cucalorus Film Festival
The EG Conference | May: 2014
Susan Kare walks us through some key points regarding the design of icons and symbols. Kare is an artist and designer and pioneer of pixel art; she created many of the graphical interface elements for the original Apple Macintosh in the 1980s as a key member of the Mac software design team, and continued to work as Creative Director at NeXT for Steve Jobs.
Interest in type, typefaces, typography and fonts has grown far beyond the graphic design community, yet few truly understand how and why these vital components of design are created and applied. This exhibition, organized by Monotype and designed by AIGA Medalist and Pentagram partner Abbott Miller for the AIGA National Design Center, celebrates 100 years of type as a constant influence in the world around us.
Gathering rare and unique works from premier archives in the United States and London, “Century” will serve as the hub of a series of presentations, workshops and events held at the AIGA gallery as well as the Type Directors Club and the Herb Lubalin Study Center of Design and Typography at Cooper Union in New York City. The “Century” exhibition features a range of artifacts representing the evolution from typeface conception to fonts in use. Typeface production drawings by the preeminent designers of the last 100 years, proofs, type posters and announcement broadsides are supplemented by publications, advertising, ephemera and packaging
Taken from David Foster Wallace commencement address given to the graduates of Kenyon College in 2005
There are these two young fish swimming along and they happen to meet an older fish swimming the other way, who nods at them and says “Morning, boys. How’s the water?” And the two young fish swim on for a bit, and then eventually one of them looks over at the other and goes “What the hell is water?”
This is a standard requirement of US commencement speeches, the deployment of didactic little parable-ish stories. The story [“thing”] turns out to be one of the better, less bullshitty conventions of the genre, but if you’re worried that I plan to present myself here as the wise, older fish explaining what water is to you younger fish, please don’t be. I am not the wise old fish. The point of the fish story is merely that the most obvious, important realities are often the ones that are hardest to see and talk about. Stated as an English sentence, of course, this is just a banal platitude, but the fact is that in the day to day trenches of adult existence, banal platitudes can have a life or death importance, or so I wish to suggest to you on this dry and lovely morning….
The Artist and Photographer On His Lifelong Dedication to the Natural World
Peter Beard has been documenting and interpreting Africa’s epic landscapes and indigenous species for nearly six decades. Here he gives a rare insight into his life and practice in this meditative short from director Derek Peck. Shot at Beard’s home in Montauk, Long Island, we find the artist, author and photographer continuing to develop his complex collage practice that brings together found objects, contact sheets, literary quotes and photographs from Tsavo, Kenya, where he made some of his most memorable and affecting work on elephants in the 60s and 70s. “It does the heart good to see what nature has made available to us,” he says in today’s film. “Nature is the best thing we’ve got.” In his delicate, ornate work, his passion for the natural world is evident, and his commitment to the protection of the environment remains unwavering. “Peter is by turns charming and humorous, dark and brooding, and nostalgic,” Peck says of working with Beard. “Every photo in the collage would trigger a stream of thought about his time in Africa, photography, Montauk, and, especially, his concern for, and anger over, the state of the natural world. This subject more than any other has been at the heart of his work over his lifetime.”
“…the big mistake is to wait for inspiration. It won’t come looking for you. It’s not so much creating something, I think, it’s noticing when something is starting to happen…”
This Is a Generic Brand Video: The minute we saw Kendra Eash’s brilliant “This Is a Generic Brand Video” on McSweeney’s, we knew it was our moral imperative to make that generic brand video so. No surprise, we had all the footage.
This is where I wanted/needed to be last night. Still too damn sick.