“If it works, it’s out of date.”
― David Bowie
In 2013, acclaimed filmmaker and author Errol Morris ran a bold experiment. With the collusion of the New York Times, he asked 45,000 readers to take an online test. The test allegedly measured whether or not readers were optimists or pessimists. But in reality, Morris was trying to find out if the typeface a statement was written in had any impact on a reader’s willingness to agree with that statement. Simply put, are some typefaces more believable than others?
The answer is yes… (continue reading at fastcodesign.com)
Via: This Is Colossal
In 1692 an artist known only as “A. Boogert” sat down to write a book in Dutch about mixing watercolors. Not only would he begin the book with a bit about the use of color in painting, but would go on to explain how to create certain hues and change the tone by adding one, two, or three parts of water. The premise sounds simple enough, but the final product is almost unfathomable in its detail and scope.
Spanning nearly 800 completely handwritten (and painted) pages, Traité des couleurs servant à la peinture à l’eau, was probably the most comprehensive guide to paint and color of its time. According to Medieval book historian Erik Kwakkel who translated part of the introduction, the color book was intended as an educational guide. The irony being there was only a single copy that was probably seen by very few eyes.
The entire book is viewable in high resolution here, and you can read a description of it here (it appears E-Corpus might have crashed for the moment). The book is currently kept at the Bibliothèque Méjanes in Aix-en-Provence, France. (via Erik Kwakkel)
A practical and theoretical treatise on the artisanal craft of pencil sharpening. The number one #2 pencil sharpener in the world, David Rees takes viewers through the delicate process of sharpening a pencil by hand.
a film by KENNETH PRICE
written by DAVID REES
camera operator DAVID HAMBRIDGE
sound mixer JUSTIN DRUST
composer FRANCIS DYER
2013 Austin Film Festival
2013 SF Docfest
2013 Sidewalk Film Festival (Winner: Best Documentary Short)
2013 Indie Memphis Film Festival (Winner: Special Jury Prize)
2013 Cucalorus Film Festival
Interest in type, typefaces, typography and fonts has grown far beyond the graphic design community, yet few truly understand how and why these vital components of design are created and applied. This exhibition, organized by Monotype and designed by AIGA Medalist and Pentagram partner Abbott Miller for the AIGA National Design Center, celebrates 100 years of type as a constant influence in the world around us.
Gathering rare and unique works from premier archives in the United States and London, “Century” will serve as the hub of a series of presentations, workshops and events held at the AIGA gallery as well as the Type Directors Club and the Herb Lubalin Study Center of Design and Typography at Cooper Union in New York City. The “Century” exhibition features a range of artifacts representing the evolution from typeface conception to fonts in use. Typeface production drawings by the preeminent designers of the last 100 years, proofs, type posters and announcement broadsides are supplemented by publications, advertising, ephemera and packaging
Taken from David Foster Wallace commencement address given to the graduates of Kenyon College in 2005
There are these two young fish swimming along and they happen to meet an older fish swimming the other way, who nods at them and says “Morning, boys. How’s the water?” And the two young fish swim on for a bit, and then eventually one of them looks over at the other and goes “What the hell is water?”
This is a standard requirement of US commencement speeches, the deployment of didactic little parable-ish stories. The story [“thing”] turns out to be one of the better, less bullshitty conventions of the genre, but if you’re worried that I plan to present myself here as the wise, older fish explaining what water is to you younger fish, please don’t be. I am not the wise old fish. The point of the fish story is merely that the most obvious, important realities are often the ones that are hardest to see and talk about. Stated as an English sentence, of course, this is just a banal platitude, but the fact is that in the day to day trenches of adult existence, banal platitudes can have a life or death importance, or so I wish to suggest to you on this dry and lovely morning….
The Artist and Photographer On His Lifelong Dedication to the Natural World
Peter Beard has been documenting and interpreting Africa’s epic landscapes and indigenous species for nearly six decades. Here he gives a rare insight into his life and practice in this meditative short from director Derek Peck. Shot at Beard’s home in Montauk, Long Island, we find the artist, author and photographer continuing to develop his complex collage practice that brings together found objects, contact sheets, literary quotes and photographs from Tsavo, Kenya, where he made some of his most memorable and affecting work on elephants in the 60s and 70s. “It does the heart good to see what nature has made available to us,” he says in today’s film. “Nature is the best thing we’ve got.” In his delicate, ornate work, his passion for the natural world is evident, and his commitment to the protection of the environment remains unwavering. “Peter is by turns charming and humorous, dark and brooding, and nostalgic,” Peck says of working with Beard. “Every photo in the collage would trigger a stream of thought about his time in Africa, photography, Montauk, and, especially, his concern for, and anger over, the state of the natural world. This subject more than any other has been at the heart of his work over his lifetime.”
“…the big mistake is to wait for inspiration. It won’t come looking for you. It’s not so much creating something, I think, it’s noticing when something is starting to happen…”
About The Newsstand: An independent media take over of the Newsstand at the Metropolitan Avenue station in Williamsburg, Brooklyn. Located at the intersection of the G and L trains, the Newsstand sees thousands of commuters pass by every day. This new shop will feature independent magazines and zines from around the world, curated by Lele Saveri of the 8-Ball Zine Fair especially for alldayeveryday.
From The New York Times…
The rumble of trains and the beeps of swiping fare cards don’t seem to distract shoppers huddled inside a tiny newsstand at the Metropolitan Avenue subway station in the Williamsburg section of Brooklyn. Some customers squat, flipping through literary magazines and novels with titles like “Killing Williamsburg.” Others thumb through booklets of photocopied Polaroids. There isn’t a daily paper or a gossip magazine in sight, and almost no one looks up when a curious commuter asks, “What is this place?”
This place is the Newsstand, a pop-up shop that has transformed an ordinary subway space into a store for independently published magazines, books, comics and zines. In a digitalized world, it is a small haven for printed media.