This is my favorite website. I visit it almost every day. It’s not responsive. It’s not optimized for iPhone. It looks blurry on a Retina display. It doesn’t use the latest HTML5/CSS3 framework. It doesn’t have a thoughtful vertical rhythm. The fonts are nothing special. It is neither skeumorphic nor flat. It doesn’t have its own favicon. It doesn’t have a native app or Twitter or Instagram. It doesn’t use AJAX or SCRUM or node.js or Sinatra. It doesn’t have an API or an RSS feed or VC funding. It hasn’t been featured on a prominent tech blog or won an award.
It tells me the soups of the day.
Freely distributed information that’s relevant to the person reading it. That’s web design.
About The Newsstand: An independent media take over of the Newsstand at the Metropolitan Avenue station in Williamsburg, Brooklyn. Located at the intersection of the G and L trains, the Newsstand sees thousands of commuters pass by every day. This new shop will feature independent magazines and zines from around the world, curated by Lele Saveri of the 8-Ball Zine Fair especially for alldayeveryday.
From The New York Times…
The rumble of trains and the beeps of swiping fare cards don’t seem to distract shoppers huddled inside a tiny newsstand at the Metropolitan Avenue subway station in the Williamsburg section of Brooklyn. Some customers squat, flipping through literary magazines and novels with titles like “Killing Williamsburg.” Others thumb through booklets of photocopied Polaroids. There isn’t a daily paper or a gossip magazine in sight, and almost no one looks up when a curious commuter asks, “What is this place?”
This place is the Newsstand, a pop-up shop that has transformed an ordinary subway space into a store for independently published magazines, books, comics and zines. In a digitalized world, it is a small haven for printed media.
Meet Hal Lasko, mostly known as Grandpa, a 97-year-old man who uses Microsoft Paint from Windows 95 to create artwork that has been described as “a collision of pointillism and 8-Bit art.” Lasko, who is legally blind, served in WWII drafting directional and weather maps for bombing raids and later worked as a typographer (back when everything is done by hand) for clients such as General Tire, Goodyear and The Cleveland Browns before retiring in the 1970s. Decades after his retirement his family introduced him to Microsoft Paint and he never looked back. Approaching a century in age, Lasko is now having his work shown for the first time in an art exhibition and also has prints for sale online.
Watch this touching documentary short directed by Josh Bogdan which tells how Lasko discovered an entire new artistic career well into his 80s.
On this episode of The Art of Punk we hit head on with the art behind the legendary Dead Kennedy’s. From the chaotic, surreal, madness, of collage mixed with political folly that blazed their LP’s and gig flyers; to the razor edge ultra simplistic four simple line DK symbol. In San Francisco we corner founding Dead Kennedy’s member Jello Biafra, and discuss his own warped inspiration for the many sleeves and posters created in the early days of the band. Back in Los Angeles we talk with pop surrealist artist Tim Biskup about how the DK’s affected and twisted his own young mind, and Steve Olson graces us with a few words of wisdom. Finally we meet up with master collage artist, and designer of the DK’s symbol, Winston Smith in his North Beach art studio, and talk about how he was drawn into the early Bay Area punk scene – and his long and creative artist relationship with the Dead Kennedy’s and Jello Biafra.
Truly great ideas are rare. Jokers like us will probably never have one. That’s OK. We have mediocre ones all the time and they work just fine. I once had an idea to start a blog about CSS. I sucked at writing. I sucked at designing. The vibe at the time was that everything important about CSS had already been written. Nobody told me.
I didn’t just have the idea, I did it. That’s the showing up part. Hands on the keyboard, go. I barely knew what I was doing. I stumbled through even following simple walkthroughs on how to install the software. Executing your ideas is never overly comfortable.
Then never stop. Don’t get distracted by some other idea and prance away to that tomorrow. Keep doing it until you’ve done everything you set out to do and everyone and their mom knows it. I didn’t stop blogging when barely anyone read it for years. I didn’t stop when people told me I was dumb or wrong. I didn’t stop when redesigns were met with vitriol. I didn’t stop when faced with mountainous challenges like inexplicable server failure, legal trouble, and theft of the site itself.
Oh, plus, try not to be a dick. I’m convinced that helps.
This thought was written by Chris Coyier and first published on Saturday, 18 May 2013.
Quick quiz: Where can you find the largest publicly available collection of baseball cards? If you said the National Baseball Hall of Fame in Cooperstown, give yourself a pat on the back. You’re right!
But here’s a trickier one: Where can you find the second-largest collection of baseball cards?
The answer, surprisingly enough, is the Metropolitan Museum of Art in New York City. Yes, really!
Here’s the back story: Long before the existence of baseball card conventions, memorabilia shops, eBay or chalky pink bubblegum, there was a guy named Jefferson Burdick. Burdick, who was born in 1900, was an electrician by trade. On the side, he was the most obsessive collector geek of his day, assembling history’s greatest collection of early American printed ephemera, including more than 30,000 baseball cards, some of them dating back to the 1880s. In those days, of course, baseball cards were mostly giveaways with tobacco products, and they didn’t yet have stats and other data on the back.
Anyway, as Burdick was moving into middle age, he began thinking about where he wanted his collection to end up. Baseball cards weren’t yet hot collectibles, so the idea that his cards might have commercial value never occurred to him. Instead, he proposed giving his collection to the Metropolitan Museum, which basically told him, “Sure, we’ll take it — as long as you catalog it and organize it first.” So Burdick spent years making daily trips to the Met, where he painstakingly put all his cards into albums. (continue to full article)
And much more about Jefferson Burdick here.
We are currently knee-deep in a trend of highly contrived (though admittedly, often visually attractive) “infographics”. And then here comes an idea so bold, so clear, so simple, and (dare I say) so obvious, that I feel like this may finally expose the absurdity of those over-designed monstrosities we currently categorize as informational graphic design.
Statement from Todd McLellan:
Things Come Apart is an expansion of the original Disassembly Series. This new set of images explores retro to modern daily items that have, are, or will be in our everyday lives. The book “Things Come Apart” published by Thames & Hudson will be available May.
And from Thames & Hudson:
Things Come Apart: A Teardown Manual for Modern Living
Welcome to Todd McLellan’s unique photographic vision of the material world: fifty design classics—arranged first by size and then by intricacy—are beautifully displayed, piece by piece, exploding in midair and dissected in real-time, frame-by-frame video stills.
This book makes visible the inner workings of some of the world’s most iconic designs. From SLR camera to mantel clock to espresso machine, from iPad to bicycle to grand piano, every single component of each object is revealed. These disassembled objects show that even the most intricate of modern technologies can be broken down and understood, while beautifully illustrating the quality and elegance of older designs. Stunning photography is interspersed with essays by notable figures from the worlds of restoration, DIY, and design innovation who discuss historical examples of teardowns, disassembly, and reverse-engineering.
Each photograph is itself a work of art and offers a reinterpretation of our familiar world. They connect people with the child-like joy of taking something apart to see how it works and will appeal to anyone with a curiosity about the material world.
“Build a good name”, rock poet Patti Smith advises the young. “Life is like a roller coaster, it is going to have beautiful moments but it is going to be real fucked up, too”, she says.
The American singer, poet and photographer Patti Smith (b. 1946) is a living punk rock legend. In this video she gives advice to the young:
“Build a good name. Keep your name clean. Don’t make compromises, don’t worry about making a bunch of money or being successful. Be concerned about doing good work. Protect your work and if you build a good name, eventually that name will be its own currency. Life is like a roller coaster ride, it is never going to be perfect. It is going to have perfect moments and rough spots, but it’s all worth it”, Patti Smith says.
Interview by Christian Lund, the Louisiana Literature festival August 24, 2012, at the Louisiana Museum of Modern Art.
You just would not expect this level of craftsmanship for a commercial job — especially now that packaging for 12″ vinyl is long gone.
David A. Smith is a traditional sign-writer/designer specialising in high-quality ornamental hand-crafted reverse glass signs and decorative silvered and gilded mirrors. David recently produced a wonderful turn-of-the-century, trade-card styled album cover for popular American singer/songwriter John Mayer.
This film captures the ‘Behind The Scenes’ creation of the ‘Born & Raised’ and ‘Queen of California’ artwork, as well as 2 unique reverse glass panels, hand-crafted in England by David A. Smith.